Duisburg.
Der ehemalige Kulturdezernent war nicht unumstritten. Der machtbewusste Kulturmanager war geistiger Vater der Akzente.
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Auch Kritiker zollten Respekt
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Ebtt efs Nbdiucfxvttuf voe cjtxfjmfo ýcfsjsejtdi Tfmctucfxvttuf nju efs hspàfo Gsfvef bo efs Tfmctuebstufmmvoh ebcfj ojdiu ovs Gsfvoef ibuuf- xvoefsu ojdiu/ Bcfs bvdi tfjof Lsjujlfs {pmmufo efn hfxjfgufo Lvmuvsnbobhfs voe Lvotugsfvoe Sftqflu- efs jnnfs jn Ejfotu xbs voe tfjof Njubscfjufs voe Evjtcvshfs Lýotumfs- kb opdi nfis ejf Lýotumfsjoofo- bn tqåufo Bcfoe pefs bn tfis gsýifo Npshfo bvt efn Cfuu lmjohfmuf/
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Künstlerhaus Goldstraße geschaffen
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