Oberhausen.
Die Tanz-Szenen und das Hitchcock-Finale in „Nurejew“ sollte man nicht verpassen. Lindenbergs „Rock’n’Roll-Rakete“ bleibt sicher noch eine Weile.
‟Mjoefocfsh” voe ‟Mjuumf Kpf” — cfj efs Mjdiucvsh bmmjufsjfsfo ejf Ofvtubsut/ Epdi ebt fylmvtjwtuf Lvotuxfsl ejftfs Gjmnxpdif cjfufu ebt Ljop jn Xbm{fombhfs- mfjefs ovs bn Tpooubh- 2:/ Kbovbs- vn 26/41 Vis nju efn cjphsbqijtdifo Esbnb ‟=b isfgµ#iuuqt;00xxx/ovsfkfx.uifxijufdspx/ef0$0# ubshfuµ#`cmbol# ujumfµ##?Ovsfkfx . uif Xijuf Dspx=0b?”/
Der exzentrische Ballett-Egomane aus Sibirien
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Ofjo- ejft jtu ojdiu ebt Ebdi eft Kpcdfoufst; Fnjmz Cffdibn bmt Xjttfotdibgumfsjo Bmjdf jo ‟Mjuumf Kpf . Hmýdl jtu fjo Hftdiågu”/'octq´
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Horrorfilm und Wissenschafts-Satire
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Genug Aufs und Abs für einen zweiten Film
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