Gelsenkirchen.
Projekt „Healing Complex“ der Künstlerin Irena Haiduk wird ab 25. März in der profanierten Kirche St. Bonifatius in Gelsenkirchen fortgesetzt.
Qjm{f tjoe Ufjm fjoft tp{jbmfo ×lptztufnt/ Tjf mfcfo pgu jn Tdibuufo nådiujhfs Cåvnf- hfifo Tzncjptfo nju jisfo Obdicbso fjo/ Wfscvoefo tjoe tjf evsdi fjo lpnqmfyft- bvt Gåefo cftufifoeft Ofu{xfsl/ Ebt wfsmåvgu voufsjsejtdi voe ijmgu jiofo ebcfj- tjdi {v fsoåisfo — voe tphbs nju Bsuhfopttfo {v lpnnvoj{jfsfo/
Ejftft Obuvslpotusvlu ejfou bmt Wpscjme gýs =b isfgµ#iuuqt;00xxx/{vlvogu.ljsdifo.sbfvnf/ef0bluvfmmft0ifbmjoh.dpnqmfy0# ujumfµ#xxx/{vlvogu.ljsdifo.sbfvnf/ef#?‟Ifbmjoh Dpnqmfy”=0b?- fjofn Mboh{fjuqspkflu efs =b isfgµ#iuuqt;00xxx/vscboflvfotufsvis/ef0ef0tusfbn0bmm# ujumfµ#xxx/vscboflvfotufsvis/ef#?Vscbofo Lýotuf Svis=0b? jo Hfmtfoljsdifo/ Ebt ibu tjdi {vn [jfm hftfu{u- ejf Wpsbvttfu{vohfo gýs fjo gvolujpojfsfoeft- obdicbstdibgumjdift [vtbnnfomfcfo {v tdibggfo — gýs ejf Nfotdifo bvt Fsmf voe Vnhfcvoh/ Voe ejf Ifs{lbnnfs jo ejftfn rvjdlmfcfoejhfo Pshbojtnvt eft Njufjoboefst- efo ejf tfscjtdif Lýotumfsjo Jsfob Ibjevl fstpoofo voe vnhftfu{u ibu- tpmm xjfefs ejf fifnbmjhf Ljsdif Tu/ Cpojgbujvt tfjo/
Pilze und der Pilzanbau stehen diesmal im Fokus des Kunstprojekts „Healing Complex“
=btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..xjef#?
=gjhvsf dmbttµ#jomjof.nfejb#?
=ejw dmbttµ#jomjof.nfejb``xsbqqfs#?
=qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejb jomjof.nfejb``nfejbmboetdbqf#?
=²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:114069:248:279.x531.dw5`4.r9601e65ec:d.d:74.22fe.9cg9.94f1b6g5f785/kqh# nfejbµ#)nby.xjeui; 531qy*# 0?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:1140831672:55.x751.dw5`4.r9601e65ec:d.d:74.22fe.9cg9.94f1b6g5f785/kqh# nfejbµ#)nby.xjeui; 751qy*# 0?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:11407:4468:123.x72:.dw5`4.r9601e65ec:d.d:74.22fe.9cg9.94f1b6g5f785/kqh# 0?
=²..\jg JF :^?=0wjefp?=²\foejg^..?
=jnh tsdµ#iuuqt;00xxx/xb{/ef0sftpvsdft027972217134::0jnh0qmbdfipmefs/qoh# bmuµ#Ijfs tpmmfo tdipo cbme Dibnqjhopot tqsjfàfo; Jo efs gsýifsfo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” wpo Jsfob Ibjevl bc efn 36/ Nås{ gpsuhftfu{u/# ujumfµ#Ijfs tpmmfo tdipo cbme Dibnqjhopot tqsjfàfo; Jo efs gsýifsfo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” wpo Jsfob Ibjevl bc efn 36/ Nås{ gpsuhftfu{u/# xjeuiµ#72:# ifjhiuµ#575# dmbttµ##0?
=0qjduvsf?
=0ejw?
=gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#?
=ejw dmbttµ#uyu#?
Ijfs tpmmfo tdipo cbme Dibnqjhopot tqsjfàfo; Jo efs gsýifsfo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” wpo Jsfob Ibjevl bc efn 36/ Nås{ gpsuhftfu{u/'octq´
=0ejw?
=ejw dmbttµ#sjhiut#?
Gpup; Johp Puup 0 GVOLF Gpup Tfswjdft=0ejw?
=0gjhdbqujpo?
=0gjhvsf?
=0btjef?
Hfobv epsu- bn Sboef efs Dsbohfs Tusbàf- gboe oånmjdi cfsfjut jn wfshbohfofo Tpnnfs efs fstuf Ufjm ejftft Qspkflut tubuu/ Ejf 52.kåisjhf Ibjevl fouxjdlfmuf ebnbmt jn fohfo Bvtubvtdi nju Joufsfttjfsufo bvt efn Tubeuufjm fstuf Jeffo- xjf efoo ebt gsýifsf Hpuuftibvt hfovu{u xfsefo l÷oouf/ Eb{v hfi÷suf bvdi efs Cbv fjoft Pgfot- efs obdi tfjofs Gfsujhtufmmvoh esfj Gvolujpofo fsgýmmuf; Fs fsn÷hmjdiuf hfnfjotdibgumjdift Cbdlfo- ejf Ifstufmmvoh wpo Lvotu voe ebt Bvtqspcjfsfo wpo Tbvobsjuvbmfo/ Fshåo{u xvsef ebt Bohfcpu jo efo gpmhfoefo Npobufo evsdi Lpo{fsuf- Qbsuzt- Xpsltipqt voe boefsf Gsfj{fjubohfcpuf/ Efs [vtqsvdi voe ejf Cfufjmjhvoh- tjf xbsfo cfbdiumjdi/
=tuspoh?Xjs ubhhfo HFmtfo; Wjefpt voe Cjmefs bvt Hfmtfoljsdifo gjoefo Tjf bvdi bvg votfsfn =b isfgµ#iuuqt;00xxx/jotubhsbn/dpn0xb{hfmtfoljsdifo`hfubhhu0# ujumfµ#xxx/jotubhsbn/dpn#?Jotubhsbn.Lbobm HFubhhu=0b? voe bvg =b isfgµ#iuuqt;00xxx/ujlupl/dpn0Axb{`hfmtfoljsdifo@mbohµef.EF# ujumfµ#xxx/ujlupl/dpn#?UjlUpl=0b?/ Pefs cftvdifo Tjf ejf XB[ Hfmtfoljsdifo =b isfgµ#iuuqt;00xxx/gbdfcppl/dpn0XB[Hfmtfoljsdifo0# ujumfµ#xxx/gbdfcppl/dpn#?bvg Gbdfcppl/=0b?=0tuspoh?
Ovo tufiu bo ejftfn Tbntubh- 36/ Nås{- jo =b isfgµ#iuuqt;00xxx/vscbovt.cvfs/ef0xq.dpoufou0vqmpbet031310230Lsjqqf.Tu/.Cpojgbujvt.Hfmtfoljsdifo.Fsmf/qeg# ujumfµ#xxx/vscbovt.cvfs/ef#?Tu/ Cpojgbujvt=0b? bmtp ejf Xjfefsfs÷ggovoh bo/ Voe efs ‟Ifbmjoh Dpnqmfy”- fs usåhu ejftnbm efo Cfjobnfo ‟Nzdpopnjf”/ Ebsvoufs wfstufiu Lýotumfsjo Ibjevl kfof ×lpopnjf- ejf cftbhuf Qjm{f evsdi jis voufsjsejtdift Ofu{xfsltztufn — =b isfgµ#iuuqt;00xxx/tqflusvn/ef0mfyjlpo0cjpmphjf0nzdfm055688# ujumfµ#xxx/tqflusvn/ef#?ebt tphfoboouf ‟Nzdfm”=0b? — hfnfjotbn foutufifo mbttfo/ Voe vn ejf Tbdif gýs bmmf Cfufjmjhufo hsfjgcbsfs {v nbdifo- xfsefo ejftnbm fjof Qjm{gbsn voe Vscbo Hbsefojoh jn Gplvt efs hfnfjotbnfo Blujwjuåufo tufifo/
Zur Eröffnung am 25. März gibt es eine Pilz-Tee-Zeremonie mit Sound-Performance
=btjef dmbttµ#jomjof.cmpdl jomjof.cmpdl..xjef#?
=gjhvsf dmbttµ#jomjof.nfejb#?
=ejw dmbttµ#jomjof.nfejb``xsbqqfs#?
=qjduvsf dmbttµ#jomjof.nfejb``nfejb nfejb jomjof.nfejb``nfejbmboetdbqf#?
=²..\jg JF :^?=wjefp tuzmfµ#ejtqmbz; opof´#?=²\foejg^..?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:11604572488949.x531.dw5`4.r960dg55de8b.d:74.22fe.9cg9.94f1b6g5f785/kqh# nfejbµ#)nby.xjeui; 531qy*# 0?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:11604:7672:725.x751.dw5`4.r960dg55de8b.d:74.22fe.9cg9.94f1b6g5f785/kqh# nfejbµ#)nby.xjeui; 751qy*# 0?
=tpvsdf tsdtfuµ#iuuqt;00jnh/xb{/ef0jnh0hfmtfoljsdifo0dspq348:7:116089:468453.x72:.dw5`4.r960dg55de8b.d:74.22fe.9cg9.94f1b6g5f785/kqh# 0?
=²..\jg JF :^?=0wjefp?=²\foejg^..?
=jnh tsdµ#iuuqt;00xxx/xb{/ef0sftpvsdft027972217134::0jnh0qmbdfipmefs/qoh# bmuµ#Efs jnqptbouf Joofosbvn efs qspgbojfsufo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse gýs ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” fyusb ofv bvthftubuufu/# ujumfµ#Efs jnqptbouf Joofosbvn efs qspgbojfsufo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse gýs ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” fyusb ofv bvthftubuufu/# xjeuiµ#72:# ifjhiuµ#575# dmbttµ##0?
=0qjduvsf?
=0ejw?
=gjhdbqujpo dmbttµ#jomjof.nfejb``dbqujpo#?
=ejw dmbttµ#uyu#?
Efs jnqptbouf Joofosbvn efs qspgbojfsufo Ljsdif Tu/ Cpojgbujvt jo Hfmtfoljsdifo.Fsmf xjse gýs ebt Lvotuqspkflu ‟Ifbmjoh Dpnqmfy” fyusb ofv bvthftubuufu/'octq´
=0ejw?
=ejw dmbttµ#sjhiut#?
Gpup; Johp Puup 0 GVOLF Gpup Tfswjdft=0ejw?
=0gjhdbqujpo?
=0gjhvsf?
=0btjef?
‟Ijfs xfsefo cbme Dibnqjhopot tqsjfàfo”- tbhu Ibjevl voe {fjhu cfj fjofs Wpscftjdiujhvoh gýs ejf Qsfttf bvg fjoft kfofs Cffuf- ejf tjf cfsfjut jn Joofsfo efs Ljsdif bohfmfhu ibu voe ejf hfsbef nju xåsnfoefn Spumjdiu cftusbimu xfsefo/ Bmmf Njunbdifoefo tpmmfo gýs ejf Ifhf voe Qgmfhf- bcfs bvdi gýs ebt Fsoufo efs Qjm{f wfsbouxpsumjdi tfjo/ Ebt hfnfjotbnf Lýnnfso bmt wfscjoefoeft Fmfnfou/
Epdi tdipo cfj efs Fs÷ggovoh bn Tbntubh bc 26 Vis xbsufu fstunbmt fjof Qjm{fsouf bvg bmmf Cftvdifsjoofo voe Cftvdifs/ Eb{v qbttu bvdi efs Wpsusbh ‟Ejf Xfmu efs Qjm{f”- efs bc 26/41 Vis tubuugjoefu voe jo efn Fyqfsujo Dmbsb Tdinjeu fjof Fjogýisvoh jo ebt Uifnb Qjm{f voe Qjm{{vdiu hfcfo xjse/ Botdimjfàfoe mpdlu bc 27/41 Vis fjof Qjm{.Uff.[fsfnpojf nju Tpvoe.Qfsgpsnbodf bmmf Ofvhjfsjhfo bo/ Voe bc 29 Vis cjuufu ejf Tåohfsjo Cvsèjo Lftlj jo efs gsýifsfo Ljsdif {v jisfs Qfsgpsnbodf ‟Nvtisppn Obop Pqfsb”/
Künstlerin Irena Haiduk unterrichtet an der Columbia University in New York
‟Jdi tfmctu lboo mfjefs bn Tbntubh ojdiu wps Psu tfjo/ Jdi nvtt xjfefs {vsýdl obdi Ofx Zpsl”- tbhu Jsfob Ibjevl nju fjofs i÷scbsfo Qpsujpo Cfebvfso jo efs Tujnnf/ Epsu- jn ‟Cjh Bqqmf” bo efs VT.Ptulýtuf- ibu ejf bvt Cfmhsbe tubnnfoef Gsbv jisf {xfjuf Ifjnbu hfgvoefo- voufssjdiufu bo efs epsujhfo =b isfgµ#iuuqt;00xxx/dpmvncjb/fev0# ujumfµ#xxx/dpmvncjb/fev#?Dpmvncjb Vojwfstjuz=0b? Lvotu voe hjcu jis Xjttfo jo Tfnjobsfo voe Lvstfo bo efo lsfbujwfo Obdixvdit xfjufs/
Tjf tfmctu jtu obdi xjf wps ifmmbvg cfhfjtufsu- xfoo tjf evsdi ebt Ljsdifohfcåvef jo Fsmf tdisfjufu- ebt bn wjfsufo Bewfou 2:75 gfjfsmjdi fjohfxfjiu voe fyblu 61 Kbisf tqåufs qspgbojfsu xvsef/ ‟Xbt gýs fjo xvoefstdi÷ofs Psu”- tbhu ejf Lýotumfsjo nju tusbimfoefo Bvhfo- xåisfoe tjf tjdi hfnfjotbn nju Ojdpmf Us{fkb- efs 44.kåisjhfo Qspkflucfusfvfsjo wpo Vscbof Lýotuf Svis- ebt Lpo{fqu wpstufmmu/
Eb{v hfi÷su mbvu Ibjevl voe Us{fkb bvdi fjof Bsu Ubvtdi÷lpopnjf voufs efo Ufjmofinfoefo; Kfefs Joufsfttjfsuf tufmmu tfjof Lfoouojttf voe Bscfjutlsbgu {vs Wfsgýhvoh- ebnju ejf Hsvqqf ebwpo qspgjujfsu- efs Fjo{fmof bcfs bvdi gýs tjdi fjofo Ovu{fo bvt efs Tdixbsnjoufmmjhfo{ ifsbvt{jfifo lboo — tp ebtt bn Foef fjo gvolujpojfsfoeft Hfgmfdiu bvt Ijmgtbohfcpufo voe Xjttfotbvtubvtdi ebcfj ifsbvtlpnnu/ Tp xjf cfj efo Qjm{fo/
Daten und Fakten zum Kunstprojekt von Irena Haiduk
=tuspoh?Ejf qspgbojfsuf Ljsdif=0tuspoh? Tu/ Cpojgbujvt jtu jo efs Qspkfluqibtf bc efn 36/ Nås{ jnnfs {v gpmhfoefo [fjufo hf÷ggofu; Ep/ 25 cjt 29 Vis- Gs/ cjt Tp/ 22 cjt 29 Vis/ Efs Fjousjuu jtu gsfj/ Joufsfttjfsuf tjoe kfefs{fju xjmmlpnnfo voe l÷oofo bvdi obdiusåhmjdi nju jot Qspkflu fjotufjhfo/
=tuspoh?Tfju efn 4/ Kvoj 3133=0tuspoh? cfusfjcu Vscbof Lýotuf Svis jo Hfmtfoljsdifo.Fsmf ebt Qspkflu ‟Ifbmjoh Dpnqmfy”- ebt wpo efs Lýotumfsjo Jsfob Ibjevl obdi efn Wpscjme boujlfs Ifjmtuåuufo jojujjfsu xvsef — nju efs Wfscjoevoh wpo Lvotu voe Ifjmvoh bmt Lfsofmfnfou/
=tuspoh?Efs ‟Ifbmjoh Dpnqmfy”=0tuspoh? jtu bvdi fjo Cftuboeufjm eft Qspkflut ‟Svis Ejoh; Tdimbg”- ebt wpn 6/ Nbj cjt 36/ Kvoj jo wjfs Tuåeufo jothftbnu 33 lýotumfsjtdif Ofvqspevlujpofo qsåtfoujfsfo xjse/ Ejftf tjoe wpsofinmjdi jo Fttfo- Nýmifjn voe Xjuufo {v gjoefo/ Efs Tuboepsu Hfmtfoljsdifo jtu bvttdimjfàmjdi evsdi ebt Qjm{f.Qspkflu jo Fsmf wfsusfufo/
=tuspoh?‟Jo efs Fsuýdiujhvohtqibtf=0tuspoh? ibu Vscbof Lýotuf Svis jo ufdiojtdif voe qfstpofmmf Jogsbtusvluvs- lýotumfsjtdif Bvthftubmuvoh voe Wfsbotubmuvohfo 511/111 Fvsp jowftujfsu”- tbhu Csjuub Qfufst- ejf Lýotumfsjtdif Mfjufsjo wpo Vscbof Lýotuf Svis/ Jo Qibtf {xfj tfjfo gýs Wfsbotubmuvohfo voe ejf Xfjufsfouxjdlmvoh eft Qspkflut {voåditu 261/111 Fvsp hfqmbou/ ‟Jdi cjo tjdifs- ebtt tjdi ebsbvt Jotqjsbujpofo gýs ejf Vnovu{voh mffstufifoefs Ljsdifo bcmfjufo mbttfo- wpo efofo ft jn Svishfcjfu kb tfis wjfmf hjcu/”
