Gelsenkirchen.
Kraftakt im Musiktheater im Revier: „Billy Budd“ beeindruckt tief. Regisseur Michael Schulz arbeitet Homoerotik und Pazifismus feinfühlig heraus.
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Billy Budd wird zum Objekt der Begierde – und als Täter zum Opfer
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Dirk Becker teilt die Bühne in zwei Ebenen – erotische Konflikte
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Joachim G. Maaß bravourös als alter Matrose Dansker
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